![]() ![]() How do you think the pandemic is changing working practices? We are also keen to increase our offering for the 7-12 age group and look forward to co-producing more titles in this space. In terms of the type of content being consumed, animation remains a key priority for our pre-school viewers. As things get back to “normal”, our player and other digital services are once again experiencing a significant uplift. We were using our linear channels to create an educational platform for Irish kids, and placed a variety of programmes (both animated and live-action) within and surrounding these blocks. What kind of shifts are you noticing in terms of content consumption?įirst off, RTÉ Kids noticed significant platform viewing shifts that coincided with the large-scale lockdown from March 2020. The slate is rounded off by the gothic deliciousness of Tales of Terror from Dream Logic and, last but by no means least, The Scavengers, on a mission to discover whether humans can return to their home planet. Then we have Cryptix, an epic father-daughter comedy-adventure series Dick Has a Problem, a comedy-drama with a heart boy-detective tale Freddy Buttons Wacky Mysteries Ivory Towers, celebrating the preciousness of intergenerational relationships Ivy ’ s Bookshop, exploring and learning about the world with Ivy, who has dyslexia and Meddlers, a slapstick comedy from JAM Media. The slate includes a number of titles, from Adam♥Adventure!, traversing the solar system, to the criminally talented Big Tuna. It is a beautifully diverse mix of projects, with wonderful storytelling and engaging, memorable characters at their core. The standard of this year’s Irish submissions is phenomenal. What’s your take on this year’s slate of projects? I’m already looking forward to next year. I did miss sitting in the auditorium, watching and listening live, and also getting the chance to connect with my colleagues from across the world. As usual, there was a fantastic variety and array of projects to enjoy. However, the virtual event was really smooth, and I hugely enjoyed checking out the pitches and projects via the online portal. Obviously, it was very disappointing not to be able to attend in person, as Cartoon Forum is one of my favourite events to visit. How would you judge this year’s edition of Cartoon Forum? In 2019, we commissioned a series of shorts based on trailblazing Irish women, and for this year, we have seven amazing Halloween-themed stories. Since 2019, RTÉ Kids has also been commissioning themed collections of short-form animation. Comedy! Also, the standard of writing and the quality of Irish animation are outstanding, and as a broadcaster, to be sited amidst all of this amazing talent is really a privilege. One only has to cast an eye across the titles listed to see the stand-out, unifying theme. Titles that we have recently commissioned include Dorg Van Dango by Cartoon Saloon, Boy Girl Dog Cat Mouse Cheese by Kavaleer Productions, Critters TV, Turnip & Duck and Urban Tails by Pink Kong, Ballybraddan by Geronimo Productions and Treehouse Republic, and Royals Next Door by Ink & Light. Since then, I have begun to commission and acquire older-skewing titles, which have proven really popular with an Irish audience. Up until 2018, within RTÉ, there was a particular focus on content suitable for our pre-school audience. Suzanne Kelly: For RTÉ Kids, I commission and acquire content for all age brackets between zero and 12 years of age. Cineuropa: W hat kinds of projects do you usually co-produce or acquire? ![]()
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